b. 1975, Seattle. Presented by Post-American Fine Arts.

Studied at Deep Springs College, Cooper Union, and Whitney Independent Study Program. Builds large-scale sculptures and installations from wood, concrete, steel, and water. Work held in the Museum of Modern Art, New York, and Centre Pompidou, Paris. Exhibited at the Venice Biennale and Whitney Biennial.

b. 1972, Indianapolis. Represented by Post-American Fine Arts.

Studied under Charles Ray and Mike Kelley at UCLA. Builds sculptures from wood, metal, and found objects (beer signs, hamburger imagery, plastic six-pack rings raining down a Japanese pagoda). Work held in the Tate Modern, London, and the Museum of Contemporary Art, Chicago. Featured in Artforum, Frieze, Art in America.

b. 1973, Los Angeles. Presented by Post-American Fine Arts.

Filled a briefcase with hand-painted denominations of a fictional nation and called it Bank of Timbuctoo. Two-time Whitney Biennial artist (2004, 2022). Co-founder of Mountain School of Art (MSA), the oldest continuous artist-run school in California. Solo exhibitions at MOCA Los Angeles and Fondazione Morra Greco, Naples.

b. 1979, New Zealand. Presented by Post-American Fine Arts.

A civil engineer who turned his structural training against the sterility of contemporary space. Currently presenting an immersive social sculpture inside the Art Gallery of New South Wales’ Nelson Packer Tank - sauna, steam, sound, gathering infrastructure. At Basel: 24 out of 100 hand-sculpted paperweight figures, vitrified industrial brick embedded with archive.

b. 2000, Louisville, Kentucky. Represented by Post-American Fine Arts.

He destroys real American currency to make art. Hand-cuts U.S. dollar bills into thousands of fragments with X-Acto blades, then rebuilds them into constructed landscapes. Every miscut costs real money. Featured in The New York Times; emerged as a breakout voice at Basel Social Club 2025.

Nebraska. Represented by Post-American Fine Arts.

She carves entire locomotives onto pencil lead. National empires, sovereign rulers, herds of bison, all rendered at a scale where a single breath ends the work. Museum exhibitions internationally, working from Nebraska — outside art-market gravity, answerable to nothing but the material.

b. 1985, Havana. Represented by Post-American Fine Arts.

Grew up among Havana’s stratified walls and worn facades; now paints in Berlin. Works oil pastel into recycled drawing paper that already carries its prior life. Royal College of Art (London), Berlin Program for Artists, presented at Martin Gropius Bau. Cuba is present not as subject but as structural condition.

b. 1986, Guangxi. Based in Nanning. Presented by Post-American Fine Arts.

Studied at University of Sydney. Li Xia works with photography, charcoal, and salvage materials to investigate how economic scarcity becomes inherited behavior. Raised within a Black Zhuang community, her practice documents material culture and the labor institutional systems ignore. First exhibition: Scarcity as Inheritance and/or What the Small Hand Remembers, Nanning Tea House, 2026.