VICTOR PAYARES

Victor Payares (b. 1985, Havana) grew up surrounded by layered surfaces-peeling walls, worn facades, the stratified geography of a city that accumulates without erasing. These childhood observations of texture, decay, and persistent beauty inform his practice across oil pastel, acrylic, and mixed media on paper and canvas.

Payares received his BA in Visual Arts from Miami International University of Art & Design (2003–2007), where early work engaged with material transformation and the visual language of overlooked spaces. He went on to study painting at the Royal College of Art, London (2015–2017), where his practice deepened into sustained inquiry into layering, partial revelation, and the structural weight of place. A residency at the Berlin Program for Artists (2019–2021) further developed his engagement with accumulated mark-making and the emotional resonance of worn environments.

(Photo by Mustafah Abdulaziz)

His work has been presented internationally, including Beijing International Art Biennale (The National Art Museum of China, 2010), As pitiless as the storms (Martin Gropius Bau, Berlin, 2021), Positions Part 2 (Alma Pearl Gallery, London, 2023), and A Slice of Landscape (Galerie Anton Janizewski, Berlin, 2023). Solo exhibitions include A Law Slipping Off (Goeben Berlin, 2020), get me to the roof on time (House of Egorn, Berlin, 2019), and ESOL Parcheesi (Roman Road, London, 2017).

In his current practice, Payares works with oil pastel and colored pencil on recycled drawing paper—materials that carry their own history. Each surface he begins with has already lived; he builds upon what remains. Labor without Language (2025) presents a donkey, rendered in accumulated marks, head bowed in the act of feeding. The figure embodies quiet endurance—work that continues without language, without recognition, without choice. This is not metaphor. This is structural condition. The same condition Payares understands from Havana, where survival and labor operate without distinction, and which he now explores across all bodies of work.

Cuba functions in his practice not as declared subject but as internalized logic—the way layering works, the way surfaces hold time, the way nothing fully resolves but everything persists. His paintings build maps of memory and material, each mark responding to the last, creating a visual language rooted in both the personal and the universal.

Victor Payares is presented by Post-American Fine Arts and is based in Berlin.

Victor Payares

 
 

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